Friday 15 October 2010

True at first light and a lie by noon

At first light when her eyes prised themselves open to the high-pitched insistence of her alarm clock, her first thought was always this: today. Today she would do it. Today, she would walk into his office, close the door, and go to a place called say it. She’d seen that in a TV show and in the TV show it had worked, although it had taken a few episodes for the guy to talk the girl round.

But at first light she always knew there would be no talking round necessary. That he would not speak, and this would be very, very good, because the reason he would not be speaking is that he would pull her close, right up close, that she would feel his breath on her neck and his hand running through her hair and his lips on hers. Or, it would be very, very bad, because the reason he would not be speaking is that he would be sitting at his desk, head tilted, brow furrowed, speechless, silently pleading a God he did not believe in for the ground to swallow them both whole, for this not to be happening.

And always, at first light, it seemed to her that even this unhappy outcome would, in the end, be very, very good, because at least it would all be out there, in the open, un-take-back-able, but they could both breathe again and enjoy the lightness of the cleared air and agree to never mentioning it again and not allowing it to change anything; and it would be done, it would be behind them, they would have survived the moment of truth, and the heavy sense of imminent dread that it needed to happen someday would be gone, vanquished, at last.

And yet, by noon, she’d remembered: experienced afresh the tiny electric shocks that ran through her when he leaned over her to pass her some important files; the unresolved tension that crackled between them and seemed best left undisturbed; the risk, the enormous risk, the terrifying risk of upsetting the balance of their relationship, and for what, in the end? As she sat in his office making notes for a letter or reeling off facts from index cards, she always knew that the pulling-her-to-himself scenario was the unlikeliest of all, and did she want to have to cower in shame and leave this job which for all its grunt-level servitude she adored, the privilege of serving which she adored, this boss whom she adored more, way more, than any of the rest of it?

And so by noon, she was always thinking this: tomorrow. Tomorrow she would tell him.




After Ernest Hemingway (who would, ahem, be delighted, I'm sure, to know that his words were inspiring girlie fan fiction), "True at first light and a lie by noon", with thanks to Janet Fitch for using it in her Writer's Book of Days.