Showing posts with label josh and donna fanfic. Show all posts
Showing posts with label josh and donna fanfic. Show all posts

Friday, 23 October 2009

Josh and Amy - post ep to "Han", series 5

(Josh and Amy are watching the concert from just outside the room)

JOSH : So listen, umm, Ryan of all people asked me straight out about our
relationship, and I couldn't have avoided the subject more if I had faked
a stroke.

AMY : Cheeky little brat.

JOSH : That's not the point, even if I'd wanted to answer him I wouldn't have known
what to say. It's like what C.J. said today about the economy; by refusing
to put language to it we're trying to pretend it doesn't exist, but it's
something... even if we don't know what to call it. I just think it's time
to start thinking about a language plan for whatever it is we're doing too.


AMY: Yeah. (pause) A language plan? Not a secret language plan to fight anything though, right?
JOSH: Are you mocking me?
AMY: (smiles) I wouldn’t dare.
JOSH: Especially in my hour of vulnerability, and all...

AMY: (pause) I like not using language. Not talking is a lot of fun, Josh.
JOSH: (smiles) Yeah.
AMY: And you do it better than most.
JOSH: (mock offended) Most?
AMY: Yes, most. Okay, all.
JOSH: There’s a “but” coming though, isn’t there?
AMY: (looks down, then forces herself to look into his eyes.) I walked past when Donna was doing your bow-tie before.
JOSH: Oh?
AMY: Josh... I’m not the love of your life, am I?
JOSH: I... don’t know what you mean.
AMY: I think you do. And I deserve better than that. We both do.
JOSH: What do you... I’m not in love with Donna.
AMY: It’s just a silly phase you’re going through?
JOSH: Was going through. Before you...
AMY: That’s a lovely sentiment, and I wish I could believe it. (Gives him a long, lingering, sexy look, brushes his shoulder, kisses his cheeky and leaves. He looks longingly at her, then Donna comes into view in the background.


Cue:



I'm not in love, no-no

(It's because...)

Ooh, you'll wait a long time for me

Ooh, you'll wait a long time

Ooh, you'll wait a long time for me

Ooh, you'll wait a long time

I'm not in love, so don't forget it...


Thursday, 17 September 2009

Cautious optimism

This takes place sometime during the first year in office. I liked drunk Josh so decided to have a little fun with him...

Apologies for any Briticisms - I have no idea whether Americans call pyjamas PJs, and have the sneaky suspicion you might spell them pajamas anyway... I've just about made my peace with "favorite" and "I just saw him", but I'm afraid I am, and will always remain, a (lovable?) Brit. After all, you can take the girl out of England, but...

A drunk Josh knocks on Donna's door in the middle of the night. She opens and he stumbles in, tripping over the cat. He shouts an expletive in its direction.

Donna is exasperated and mostly sarcastic throughout. Josh is, well, drunk.

DONNA: (in a loud whisper) Shhh! It's the middle of the night.
JOSH: We lost the bill.
DONNA: (sighs) I know. I was there.
JOSH: How can we possibly have lost?
DONNA: Cautious optimism, Josh. How many times...? C'mon, let me get you some water.
JOSH: Where's your flatmate?
DONNA: Asleep, as are most normal people at this time.
CAREY: (calls out, exasperated) Not anymore!
JOSH: Oops.
DONNA: Yeah. (calls out) Sorry! (pours him some water)
JOSH: (somewhat whiny) Donna, why did we lose?
DONNA: I probably didn't do enough index cards.
JOSH: It's not your fault...
DONNA: I know. I was kidding. We lost, Joshua, because sometimes in politics we lose. (hands him the water)
JOSH: But it was a good bill. I really wanted it.
DONNA: Sometimes in life we don't get what we want. (She sighs wistfully)
JOSH: Huh?

DONNA: Drink the water.

JOSH: Yes, mom.

DONNA: Okay, you need to lose that. Now. You know, you're drunk and you won't remember this in the morning. So I can tell you I don't always get what I want either.

JOSH: Wo. Short sentences are good, Donna. Short ones.
DONNA: Never mind.
JOSH: You don't get what you want?
DONNA: No, Josh.
JOSH: And what is it that you want?
DONNA: I think the answer to that would be pretty hard to believe under current circumstances.
JOSH: Huh?
DONNA: Never mind. (throws him the sleeping bag.) Here's the sleeping bag. Here are two pints of water. (puts them down next to him) Drink them. I'll wake you in... (looks at clock) three and a half hours.
JOSH: You look cute in your PJs.
DONNA: Why, thank you, Josh. Maybe I'll wear them to work.
JOSH: Yeah... That would be good. Except I wouldn't get any work done.
DONNA: Here's your toothbrush.
JOSH: I have a toothbrush here?
DONNA: It's kind of worrying that that's how often you end up here. Try not to do this again too soon or Carey will have me evicted.
JOSH: She doesn't want an eligible Fulbright scholar in her flat?
DONNA: Not as much as she wants uninterrupted sleep. As do I. Drink the water, Josh. Good night.
JOSH: Good night, Donnatella. I mean it about the PJs.

Donna rolls her eyes, closes the door and smiles to herself.

Saturday, 12 September 2009

Somewhere in Germany... (NB spoiler for season 5)

You wait.

You're not good at waiting, and she knows that. You wait, though, and that's your greatest gift to her right now.

You want to somehow transfer strength to her like she did to you when it was you on a hospital bed. You don't know if you believe in God - and if He's there, you have one or two things to take up with Him - but you tentatively pray for health and strength for her, the way she had for you. It seemed to work, after all. You have difficulty finding your words.

So you sit by her bedside, and you wait. And from time to time you whisper, "Donna, don't leave me. I can't do this without you." And you don't just mean the job. You mean life.

You want to say so much more, but that seems risky. There's a tiny chance she may hear you, and everything will change. And you're not sure you're ready. But if the worst were to happen, you'd want her to know how deeply you loved her.

You're pondering all this when she opens her eyes. You're sure your heart just skipped a beat. You walk over to her, responding to her calling you. You're still here. Of course you're still here. Where else would you be? Governing the country can wait. Everything else can wait. You're useless without her anyway.

She's so beautiful. Even here, looking so ill, so fragile, so damaged, so tired, to you, she's beautiful. You realise this sounds crazy, that this must mean there is no hope for you ever to recover from this... this... what is it? Infatuation? Obsession? No. You sense that this, in fact, is it. This is the love that you have been looking for all of your life. This is the love of two people who make it, who build a life together, who have children and grow old together and never look back. This is the love of soulmates, who know each other inside out and fit each other like a glove.

Some people wait a lifetime for a moment like this.

You've found it, you've found her, and you're not letting her go. Not this time. Not ever again.

You long to kiss her. You longed to do that while she was unconscious, too. You wanted to be the prince in Sleeping Beauty. But life, sadly, is not a fairy tale, and yours is a complicated situation. You're not going to think about that for now, though. For now, she's awake. And your name is the first thing that crossed her lips.

You don't know which of those two things you are happiest about.

Tuesday, 8 September 2009

New Year's Eve, 1999

It’s New Year, 1999. A milestone in history is about to be reached, even though Sam claims otherwise. You finger your phone. Right there at the party. You’re drinking to everyone’s health and enjoying yourself but there is only one person you want to be with when the clock strikes. And you’ve just realised it isn’t Joey Lucas.

The countdown starts. You scroll down to D. Excuse yourself. The phone rings off – network down. Of course. Everyone is ringing their lov – I mean, the people they care about the most. And right there in the middle of this party surrounded by many people you are enjoying being with, you realise you desperately want to kiss this amazing woman who is out of reach, out of bounds, off limits. To kiss her till you both can’t breathe anymore. Wo – Josh. Calm down, you tell yourself. This isn’t good for your blood pressure.

Has she read the note? Has she read it over and over like you hoped she would? Has she understood the unspoken? Will things ever be the same between you? And if not, was it foolish of you to risk everything? What if she guesses what you meant? You wanted her to, and yet you are worried. What if she wants to act on it? You know you can’t. You’re so devoted to your job. She’s devoted to hers – or to you. You can’t tell. It’s difficult to analyse which is which. You, your job, her, her job... so inextricably linked. Inextricably. You like that word. You like the sound of it. You like the idea of being inextricably bound up with her. Inextricably so you to can’t tell where you end and she begins. Inextricably, forever, Josh, calm down. You cannot feel like this.

Shove it, it’s New Year’s Eve and you will feel like you want to feel. In the other room they are singing Auld Lang Syne. The twenty-first century has begun and you so wanted to begin it with her at your side. You finger your phone again. Scroll down to D. Network down. Yeah, I knew it. Hang on – it’s ringing. You feel your heart beating faster. Get a grip, you tell yourself. In a couple of days you have to work with this woman. You cannot be catching yourself wondering how soft this alabaster skin feels under that sweater... you cannot be...

“Hello?” She’s at a party too, it’s loud, you can barely hear her.

“Josh! Happy New Year!” You wanted to say it first. But as so often – she’s the initiator.

“Happy New Year to you too, “ you reply, which sounds so lame, so you add what you really want her to know, “I wish you were with me...”

She can’t hear you. It’s loud, she says, she has to step out, but by the time she has the moment has passed and you can’t bring yourself to repeat it. You weren’t sure it was appropriate the first time round. Appropriate? Like what has been going on in your head has been in any way appropriate. But well, there is so much to consider in this relationship, it’s all so complicated. Not that it’s a relationship as such, not the one you want, but..

“Josh?” she sounds concerned. You like it when she sounds concerned for you. You love it when she looks after you. “You still there?”

“Yup. I’m still here.” And you’re not, and I so want you to be, can I come over? You want to add, but you know you can’t.

“I just wanted to say happy new year...”

“You said that already.”

“Well, happy new millennium then.”

You can hear the smile in her voice. “You too.”

“Donna...” you love saying her name. You love the way it feels in your mouth. You want to say it so many times over and over, while you... Wo, brain. Come back to me please. Please try to behave.

“You’ve gone quiet again,” she points out in her own inimitable, organised fashion.

“Sorry. I don’t have that much to say.” Well, it’s not as big a lie as it sounds. You have a lot to say but none of it can be voiced, so that’s the same thing, right? Even you’re not convinced by that argument, though.

“Just, well, Happy New Year. “

“You’re repeating yourself.”

“Donna...” there you go again. Just keep focussed this time...
“Donna, I mean it. I want you to be happy this year.” There. That’s nice, and meaningful. Even if it stops short of saying you want to be the one making her happy.

But you love what she says next. “Josh, I’m the happiest I’ve ever been. But thank you.”

Is that because of you? Is that because of what you wrote? You hope so. You so desperately hope so. But maybe it’s nothing to do with you. Maybe it’s actually just that she loves her job. Maybe she’s just met a hot Republican at this party of hers. Maybe she’s just at that point in her life when people...

Whatever.

“I’m glad,” you manage to remember to say, and you add, “let’s keep it that way...”

There’s silence. She doesn’t know what to say. You don’t either. You swallow hard. You probably shouldn't say this, but shove it. It's New Year's, and you can always blame it on the champagne if need be. “Anyway, I just wanted to let you know – I was thinking of you tonight.”

“Me too.” It’s the kind of thing you’re meant to say in these situations, but you can hear in her voice that she means it, that she was looking for an excuse to say it.

You wonder about bringing in your favorite defence mechanism and making a joke about getting her drunk one New Year’s and seeing if you couldn’t make her even happier, but you resist. You don’t want to spoil this moment, which is already being spoilt by so many things. By her physical absence most of all. And by all those unsaid things, unsaid because that’s the way it has to be, for now, for a long time, for many more New Year’s Eves, many more Christmases, until one day you take her to Hawaii and tell her exactly how you feel and what you want from life. Life with her.

But that will have to wait. And so will you. You regretfully put the phone down, go back to the party and grab another drink before that thought can take hold and drive you into insanity and beyond.

Friday, 28 August 2009

Series 2, post ep 10 - Noel - cut scene

Josh and Donna are in ER, waiting to see a doctor. He is sitting with his head on her shoulder and she has her arm around him. After all, he is injured, and it is Christmas, so we can allow them a bit of intimacy.

The (youngish, female) Doctor calls Josh in.

DOCTOR: Mr Lyman?
JOSH: (reluctantly sitting up) Yeah.
DOCTOR: Ready to see you now.
JOSH: Okay.
DONNA: (to Josh) She’s an attractive woman. (pauses so there's a chance Josh will think her two sentences are unrelated.) You sure you don’t want me to come with you?
JOSH: (smiles) It’s okay. I know how you feel squeamish at the sight of needles.
DONNA: I think you may be getting me confused with you.
JOSH: Oh, yeah. Easily done, you gotta admit.
DONNA: (unconvinced.) Yeah. It’s the sensitive alabaster skin... So similar, you and I.

Josh disappears with the doctor and Donna get her diary out and starts scribbling. (Best read alongside http://donnamoss.blogspot.com/2009/08/noel.html)

Josh comes back a while later.

JOSH: (tenderly) Hey.
DONNA: She put you back together?
JOSH: Yeah. (waves his newly-bandaged hand) Almost no stitches. Definitely no fainting at the sight of needles. (sees her starting to putting away her diary) Hey, what you writing?
DONNA: Nothing.
JOSH: Well, that’s clearly not true. What is it?
DONNA: Haven’t I warned you before about being too nosy for your own good?
JOSH: I didn’t get where I am without a healthy inquisitiveness.
DONNA: (exasperated) Josh...

Josh reaches down and snatches it. Because of his injured hand it’s difficult for Donna to fight him.

DONNA: (slightly desperately) Josh... I’m warning you.
JOSH: (smiles smugly, aware of the importance of his discovery) This is your diary.
DONNA: Yes.
JOSH: Can I read it?
DONNA: What do you think my answer to that is going to be?
JOSH: Well, that all depends if you are hiding things from me. You wouldn’t hide things from me, right?
DONNA: Of course not. Nothing it was in your interests to know anyway.
JOSH: So I can read it?
DONNA: (flatly) No.
JOSH: Because?
DONNA: A woman’s journal is... (attempts to snatch it back, and there is a healthily flirtatious amount of physical contact. It falls open onto the floor, onto the current page. We see things she has written in big letters - I LOVE HIM, and WHY WAS I NOT THERE?)
JOSH: Donna?
DONNA: (bends down, closes it, picks it up off the floor, refusing to allow herself to look flustered) I have distinctive penmanship, remember. It’s quite possible that what you saw was not what you think you saw.
JOSH: Oh, Donna. (She is now standing up, and he looks at her intensely.) Me too, you know. (she looks at him, questioningly.) I mean it. Me too.

Time stands still. They look deep into each other’s eyes. It’s the perfect opportunity for a kiss. But we have to wait till series 7 for that!

JOSH: Six years is...
DONNA: (interrupting, takes his arm) Come on. We’ll never get you home to your parents’ at this rate.


They walk off into the sunset – erm, sorry, the night...

Sunday, 23 August 2009

Scene from Episode #906: New beginnings

In hospital. Donna is in bed, holidng the baby, and Josh is sitting on the bed, talking to her.

Sam walks in.

DONNA: Hey, Sam (smiling). Come meet your new godson.
SAM: (grinning back) Leo Noah.
JOSH: Yep. Named after the two most influential men in my life.
SAM: And I don’t figure on that list?
JOSH: We’ll name the next one after you.
DONNA: (incredulously) The next one?
JOSH: He’s so amazing. We need to have hundreds more like him.
DONNA: I’m sorry, Josh, were you not in the room last night?
JOSH: Well, erm...
DONNA: Apart from the brief instant when you passed out, obviously.

(Sam laughs, and looks at Josh disbelievingly, if that’s a word.)

JOSH: Point taken. Maybe not another one just yet.
DONNA: You're right, though. I mean, look at him. If it wasn’t for the pain... he’s even got your receeding hairline.
JOSH: (smiles at her) As long as everything else is from you, we’ll be fine.
SAM: (somewhat unsure, but wanting to change the subject before more soppy talk starts up...) Okay, so do I get to hold him then?
DONNA: If you promise to be careful. (pointedly) More careful, say, than you might be with a girl’s heart.
SAM: Hey! You can’t still be mad at me about Mallory.

Donna looks at him in a way that indicates that she most certainly can.

Sam leans over to take baby Leo.


SAM: Erm... Josh, help me out here.

Josh walks over, carefully and lovingly takes baby Leo, gives him to Sam and shows him how to hold him.

JOSH: So you put your arm under his head, like this...
SAM: (to baby Leo) Hey there, little fella. I’m your uncle Sam... (to Josh and Donna)I gotta say, I think I may be getting a bit broody looking at him. You guys have done some good work.
JOSH: (beaming) Thanks.
DONNA: (pointedly) Josh?
JOSH: I mean obviously the work was all Donna’s. My role was, erm, minimal. But isn’t he amazing?
DONNA: (pointedly) Josh?
JOSH: But obviously not as amazing as Donna, who did all this work.
SAM: I see there is effective training going on in the Lyman household.
DONNA: I can still revoke your godfather’s title, you know.
JOSH: (to Sam) Not single-handedly, she can’t.
DONNA: (keen to change the subject) Anyway, Sam – how are you? How are the French lessons?
SAM: Oh, erm.... fine. Yeah, fine.
DONNA: (thinking she has interpreted his answer, and getting ready to scold him)You’ve not been going, have you?
JOSH: Oh yes. He’s been going all right. Even getting a bit of, erm (wry smile), extra tuition.
DONNA: Oh? (punches Josh in the arm) How do I not know about this?
SAM: Well it’s... hot off the press, so to speak.
JOSH: Actually, we’re trying to keep it out of the press as much as possible... Anyway, last night didn’t seem quite the right time to tell you.
DONNA: Might have been a nice distraction. Though I gotta tell you, if it’s distraction you’re after, that gas and air thing...pretty decent.

They laugh, and fade out sound/picture as they talk and laugh.

Saturday, 22 August 2009

Epiosde #906

Josh is sitting by Donna’s hospital bed, holding her hand. He has a large plaster on his forehead and various bruises.

(Pause and breathe a sigh of relief – please tell me you didn’t actually think I was going to kill him off!!)


JOSH: (stroking her forehead) How are you doing?
DONNA: (smiles up at him). Pretty well, considering. What happened to the car, anyway?
JOSH: I left it wrapped around the lamppost and got a taxi. I wasn’t going to faff around with that crap while my wife gave birth to our son.
DONNA: (exasperated but too emotional to care that much.) Oh, Joshua. Wait - how do you know it’s a boy?
JOSH: I have a sense about these things...
DONNA: You know it in your heart? (Josh nods) Do you know how many things I’ve been wrong about in my heart?
JOSH: (softly) You weren’t wrong about us.
DONNA: No. But it sure as hell felt like it for a very long time.
JOSH: Are you ever going to let me forget that?
DONNA: Nine years, Josh. That’s all I’m sayin’.

He kisses her forehead.

JOSH: I promise I’ll make it up to you.
DONNA: So you keep saying. Just get me through the next twenty-four hours, that’ll be a good start.
JOSH: I love you so much, you know that?
DONNA: (smiles) Also a good start.

DONNA: Josh?
JOSH: Hmmm?
DONNA: I’m scared.
JOSH : You can do this. I believe in you. You are one amazing woman.
DONNA: I’m not sure distinctive penmanship or colored index cards are going to help me now.

JOSH: Oh Donnatella. There’s so much more to you than that. God, I love you.

Donna winces as a contraction comes and that’s the last we see of that.

Author's note: We are spared the usual, ridiculous, horribly undignified labour and birth scenes. I won’t make Janel Moloney stoop to doing that - it's not like she needs to prove she can act! Someone give that woman an Emmy... she's more than earned it!!

Friday, 21 August 2009

Episode #905 part II - later on

Josh is in his car, driving to Donna to help her to calm down.

The phone beeps. He picks it up. We see the message on the screen - "My water broke."

Next thing we see is the car swerving, we hear a crash...

... cue theme music.

Episode #905

(Best read alongside http://tinyurl.com/luumrh -Donna's diary)

Donna is at home, very pregnant and very hormonal, and reading through old diaries.
The phone rings in Josh’s office.


JOSH: (picking up the phone) Yup.
DONNA: Josh. (clearly upset) I was asleep and I had a horrible dream and you were in hospital and I was holding the baby walking up and down the corridors and... (takes a deep breath and sounds as if she might start hyperventilating) I can’t do this without you Josh, I need you, don’t leave me...
JOSH: (softly) Donna?
DONNA: (in a small voice) yes...
JOSH: I’ve got you on speaker phone.

(The camera pans out to Sam and that guy from the campaign who writes the speeches , whose name I can’t remember right now. They all look at each other and walk out of the office to give Josh and Donna space)

JOSH: I’ll be right there, honey. Sit tight. Drink some water. I love you. I’m not going to leave you. I’m not going to die. I’ve always loved you. Always since that first moment you picked up my phone. I’ll be right there, okay?
DONNA: (in an even smaller voice) Okay.

Monday, 17 August 2009

Scene from Episode #202 (In the shadow of two gunmen, part 2)

Somewhere in New Hampshire, Governor Bartlet is finishing off a rousing speech about education and its importance if America is to continue on the path to greatness destined for her by the Founding Fathers. Everyone’s pride is hitting record heights.

SAM: (to Josh) I wrote that.
JOSH: Sam, I know.
SAM: I mean I wrote that.
JOSH: Sam, I know. We’re all very proud of you. (he pats Sam slightly patronisingly but a little proudly on the back. Nods towards the Governor and says to Donna and Sam who are standing against the wall with him) Doing great out there, isn’t he?
DONNA: (far-away , dreamy look on her face) Hmmm?
JOSH: Donnatella? (nudges her)
SAM: Josh, leave her be. She’s in that place.
DONNA: (suddenly interested) What place?
SAM: The place where you pinch yourself wondering how you got to be here and feeling huge pride and deep humility all at the same time.
DONNA: (looks at Sam as though he’s lost his mind.) Nah. Actually I was just wondering what I was going to have for dessert tonight.
JOSH: (chuckles and smiles tenderly) You’re quite something, you know that?
DONNA: (beams back) So I’ve been told a number of times. Most of them by you.
SAM: Honestly, guys, get a room.
DONNA: Huh?
JOSH: (shoots him a look that says, “Sam, I’m warning you...”)
SAM: Do it quick before we’re in office. Less scandalous that way. (goes off to remind CJ that he wrote the speech Bartlet is delivering so rousingly)
DONNA: Josh? What’s he talking about?
JOSH: Hmmm?
DONNA: Josh?
JOSH: He’s under the impression there may be some kind of romantic tension between us.
DONNA: Are you under that impression too?
JOSH: Are you?
DONNA: I asked first.

Governor Bartlet finished his speech and everyone stands to their feet. It’s a moving moment. The conversation is interrupted. Sam hugs CJ and we see him mouthing “I wrote that!”. Josh, without thinking, hugs Donna, breathes her in.

They pull away.

DONNA: Do you think this might be an example of what Sam meant?
JOSH: (smiles) Maybe.
DONNA: Do you think we shouldn’t do that anymore?
JOSH: When we’re in office? Yeah. (Donna looks disappointed.) Well, maybe not.
DONNA: Josh, Sam doesn’t know what he’s talking about. I’m your assistant. Nothing can happen between us. We’re clear on that, right?
JOSH: Of course. Even if both wanted it to. (long lingering look) So it’s all nice and clear.
DONNA: Mmm. Yeah. (To herself) Clear, anyway.