Josh is sitting by Donna’s hospital bed, holding her hand. He has a large plaster on his forehead and various bruises.
(Pause and breathe a sigh of relief – please tell me you didn’t actually think I was going to kill him off!!)
JOSH: (stroking her forehead) How are you doing?
DONNA: (smiles up at him). Pretty well, considering. What happened to the car, anyway?
JOSH: I left it wrapped around the lamppost and got a taxi. I wasn’t going to faff around with that crap while my wife gave birth to our son.
DONNA: (exasperated but too emotional to care that much.) Oh, Joshua. Wait - how do you know it’s a boy?
JOSH: I have a sense about these things...
DONNA: You know it in your heart? (Josh nods) Do you know how many things I’ve been wrong about in my heart?
JOSH: (softly) You weren’t wrong about us.
DONNA: No. But it sure as hell felt like it for a very long time.
JOSH: Are you ever going to let me forget that?
DONNA: Nine years, Josh. That’s all I’m sayin’.
He kisses her forehead.
JOSH: I promise I’ll make it up to you.
DONNA: So you keep saying. Just get me through the next twenty-four hours, that’ll be a good start.
JOSH: I love you so much, you know that?
DONNA: (smiles) Also a good start.
DONNA: Josh?
JOSH: Hmmm?
DONNA: I’m scared.
JOSH : You can do this. I believe in you. You are one amazing woman.
DONNA: I’m not sure distinctive penmanship or colored index cards are going to help me now.
JOSH: Oh Donnatella. There’s so much more to you than that. God, I love you.
Donna winces as a contraction comes and that’s the last we see of that.
Author's note: We are spared the usual, ridiculous, horribly undignified labour and birth scenes. I won’t make Janel Moloney stoop to doing that - it's not like she needs to prove she can act! Someone give that woman an Emmy... she's more than earned it!!
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